Sunday, January 4, 2015

[TSOM-Announce] Fwd: Tango and I January 2015 News




Content of this newsletter:
Tango learning at Tango and I
Tango partner workshop by Sabine Ibes Jan31/feb1
Wednesday classes at SDS
Nick Jones and Diana Cruz returning to Minneapolis
Diana Devi tango blog
Natural Tango Festival 2015 Denver
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I wish he would squeeze my hand to a pulp, said no tango dancer ever

New Year = new beginnings = new ways to learn

Why take a regular tango class? Apart from the obvious: learn to dance? And when you go to class how do you know if you are getting any better? Self assessment? Do you ask your partner, your teacher, your tango goddess? 
 
January at Tango and I is all about that: HOW to learn and teach yourself to be a better tango dancer, through classes, practicas, private lessons and a special workshop. All designed to help you to become a better dancer.
We have always designed our classes with you in mind, here is what some of our students have to say about Tango and I:

"That Sabine is a; peerless follower and faultless leader, voracious learner and didactic teacher, are not what makes her a special tango instructor. The open love she has for the dance and the infectious joy she shares with her students are what makes her a special tango instructor and person." 

"Tango and I classes with Sabine Ibes and Diana Devi are a friendly inviting atmosphere to dive in to the addiction that is tango. Their progressive teaching style that builds over the month is warm, inviting, and fun. Balancing the technique with musicality. Along with the practicas to review what you learned that week, your dance will grow."   * Megan and Avery Harrington*

 I started the year doing the 7:30 pm all level class that Sabine and Diana always begin with fundamental movement.  Interestingly, you usually  glide the students into the patterns and movements effortlessly, from the starting foundation work at the beginning of class.   Then we have the 8:30 pm intermediate class, which often transitions from the 7:30 pm.  There is no question that the 8:30 pm is a different class due to attention to detail in movement in the ever-changing advanced patterns.  A super wake-up call for all Argentine Tango dancers.  So, traveling the path in 2014 I remembered when I began about 3 years ago, your saying that you can always learn from the 6:30 beginners class.  Yes, you were right, as I started to revisit the class later this year and it is wonderful to find the floor for your walk, posture, and frame.  The very best part of the 6:30 is sharing the celebration of tango for those opening the door.  They never know that they may be changing their lives in mind, body and spirit, if they surrender to the love of tango.  So, in keeping with the season, thank you for your precious never-ending gift of sharing the joy and love of tango.  *  Chuck Hartell*

 

 Jan31 - Feb1

Partner intensive workshops   5 lead/follow couples only  

7 hours class + 1.5 hour practica $ 110 p.p.  lunch & tea included
 
Sat. 10.30 - 12.30 "Flying solo?" 
Lunch 12.30 - 1
Sat.1 - 3 "I'm good, even when I'm bad"
Sat. Practica 3.30 - 5  remember to repeat - repeat to remember (video taped session)
Sunday 12 - 2  "just dance"
Tea 2 - 3  Because Tea is just a good idea
Sunday 3 - 4.30   "when I dance with Princess Laila it always works, but with you it doesn't"
Only 5 couples accepted click here to RSVP now

 Titles are funny but  here is (click and read more info) what this weekend is really about! 

Wednesday evening classes 

All our group classes are taught at the Social Dance Studio click for info
6:30 Our beginner series; bring your friends, bring your shoes and a smile, no partner needed. Every month we start fresh with our beginner series, and the series will last 2 months! What will you learn? check out our curriculum

7.30 All level class level A and B
Diana Devi will be teaching level A : close embrace classics  see Curriculum for more detailed info
Sabine Ibes will be teaching level B: Time for Fusion  see Curriculum for more detailed info

Questions about what level you should be taking: see this page or you can ask either Diana or Sabine

 
8.30 our Intermediate / advanced series
        How to assess your own dancing skills.
With the help of a check list we will go over a lot in the tango movement vocabulary. If you wish you can ask partners to help assess as well.(Brutal) honesty is key in this class. 
The check list can be used to bring to practica or private lessons. It'll be your personal tango learning tool for 2015
Here are some of the movements that we will cover:
Back ward ocho: lazy - active - over rotated  - back lock ochos - back ward ocho into stops, boleos, sacadas, etc.
Forward ocho: active - parallel system - cross system - over rotation - sacadas - forward boleo - 
Ganchos - wraps - off axis movement - single axis movement - 
You can assess the embrace, musicality, posture, environment and much more.
 
Bringing a camera with you might be very helpful, seeing yourself dance is one heck of a teacher ( :
If you want help with your assessment by either Sabine or Diana you can schedule a time to do so during practica ( for a little help) Or schedule a private lesson for in depth info and creating a more personal check list.

 

Nick Jones & Diana Cruz coming back into town

March 21 - 23 plus they will be teaching our regular class on Wednesday evening.  Hosted by Diana Devi, she will keep you posted with all the information coming to you soon!

Diana Devi's  tango blog


This is part 2 of 3 parts of a blog I created for Oxygen Tango.  These are but a few of the exercises that we did in the workshops that Diana taught this winter.  Missed them?  Not to worry she will be repeating them again!
 

We walk on them all day; we dance on them all night.  We all know that when our feet hurt nothing is enjoyable.  This is one major reason why we must take proper care of our feet. Another motivator is that we want to dance until we are in our 90s; just as we have seen in Buenos Aires at the milongas. 

So how do we get our feet to take us there?  Last time we talked about simple foot care; for this segment we will focus on exercises and methods to massage, stretch and strengthen our feet.

The first set of activities will focus on massage, the second flexibility and the third stabilization/strengthening. 

None of these exercises should be painful.  If you are experiencing pain STOP what you are doing!  Pain is a warning signal from your body telling you something is not right.  Please pay attention when your body speaks to you.

 

I have included movements from my experiences with the Gyrotonic exercise system,  ballet and other dance and body movement genres.

I have selected a few of the exercises that I have developed for my students, based in part on exercises I learned from Ms. Judith Bragg, an early ballet teacher; and from Diana Cruz, international Argentine Tango performer and instructor.  


Massage 

Sit comfortably in an upright position in a chair.  It is important for you to sit up in the chair.  Place one foot on the floor and cross the other foot over that leg, resting your ankle on the knee of the first leg.    

Start by massaging the foot beginning at your heel.  You can see the areas of the foot on this site:  http://commons.wikimedia.org/wiki/File:Science_ofDressTo_face_p236cutA.png

Now trace the entire heel area of the foot with your hand, massaging and exploring the area.   Feel the inside and outside edges of your foot as well.   Do you feel any tension or tightness in the area?  Now move down your foot to massage the underside of the foot (the arch) and also the top of the foot.  Notice the bones and muscles of the feet.  Is the arch tight?  Is it tight in one place or in a strip along the bottom?  Is it soft?  Is it tender to the touch?  Notice all of these things.  Moving down the foot go to the ball of the foot, gently rub each individual joint, moving from the big toe joint to the smallest toe.  Is there tightness between the joints?  It is soft and pliable?  Again be an observer!  Gently grab the toes with your hand and slowly pull them to extend out from the foot. At first, go easy –there should be NO PAIN.  Want to see if the massage changed anything?  After massaging one foot, go for a walk around the room.  What do you notice?  Does your foot contact the floor differently? How is your balance? Most people notice a big difference.  Now repeat on the other side. Try to do this daily, but a minimum of 3 times a week. 


Flexibility

To increase flexibility in your feet, I have my students start with stretching the underside of the foot.  Many times when we are dancing the arch area becomes tight or shortens, especially if we wear heels.   Gently is the name of the game here!  You can use a tennis ball or golf ball or any ball in between their sizes for this.  Place the ball in a sock to help control the movement of the ball.  I recommend standing beside a chair when you do this exercise so you can control the amount of pressure you place on the ball.  This will make more sense in a minute.  Place the ball that is in a sock under the arch of the foot farthest away from the chair.  Move the ball around until you find a place that is tender.  GENTLY apply a small amount of pressure for 15 seconds then slowly release.  Move the ball to the next tender spot and repeat.  Investigate the entire arch including the area in front of the heel and both the outside and inside edge of the arch.  The whole process can take up to 10 minutes depending on how tight your feet feel.  After you have finished on one side take a walk around the room.  What did you notice?  Now repeat on the other foot.  This can be an intense process so remember to be gentle! 

 
Moving your toes:  Start simple and work up from there.  I usually sit on the floor for this portion but I have students that do these exercises while sitting in a chair.  Find a comfortable position to sit in with one foot on the floor bent at the knee.  Place you hand gently over the four smaller toes and raise the big toe up off of the ground.  If you needed, you can help the big toe move .  This movement is not a large movement.  The objective is to wake up the big toe.  Next place your hand over the big toe and raise the other four toes off of the ground.    If this is too easy repeat without the use of your hands.   Now move on to lifting one toe at a time while keeping the others pressing into the floor.  Challenging to say the least! 


Strengthening/Stabilizing

The big toe provides a great deal of stability! Is your big toe trying to meet you little toe by bending towards the smaller toes?  If so there are exercises that can help straighten out the big toe.  The muscle that is responsible for pulling the big toe away from the other toes it is the abductor hallicus.  If you are interested, you can Google it. This is the site that I recommend. abductor hallicus  - the muscle on the left side of the screen.  

http://commons.wikimedia.org/wiki/File:Abductor_digiti_minimi_(foot).png

This muscle holds the big toe in place to help us be stable when we walk.  So keeping the big toe in the right place is important, particularly when you are walking backwards as you do so often in Tango.  

Another way to stabilize your body is to make the ball of the foot wider, the wider the ball of the foot the more stable we are.  The wider the better!  The next set of exercises will help to widen the foot and straighten the big toe which will stabilize you.

To activate the big toe sit in a chair with one leg on the floor.  Cross the other leg over, resting it on the stable leg so you can easily reach your foot.   Place your thumb on the outside of the ball of the foot below the big toe.  With your index finger gently move the big toe away from the other toes.  The movement will be very small.  This should not hurt.  Gently allow the toe to move back, repeat the process several times.  This exercise is waking up the abductor hallicus muscle.  You can repeat this exercise as many times as you like. Notice what other parts of your foot and leg are affected by this change.   You may notice over the next day or so that the muscle close to your shin bone feels different. That is because you are using your foot in a different way.  Repeat this exercise on the other foot.  (See the video to clarify this movement.)

 

Now move to a seated position on the floor, legs bent at the knees with your feet on the floor.   Place your ankles so they touch each other.  Do the same with your big toes.  Try to keep the big toes together and spread the toes out as far away from each other as you can while keeping the big toes touching.  This can be a challenge especially for the big toes!  Need help?  Place a thick rubber band joining the two big toes at the joints furthest away from the foot.  This will help to keep the big toes together.  Spread other toes away while keeping the big toes touching each other. (See the video to clarify this movement.)

Remain in this position to proceed to more exercises.

Begin by raising the heels off of the floor while keeping the toes spread, big toes still touching each other.  Now lower the heel back to the floor again keeping the big toes together.   Repeat this exercise 5 to 10 times slowly, each time thinking about keeping the ankles and the big toes together.  It does become easier over time!  

For our final exercise, straighten your legs out in front of you while the big toes and ankles are still touching. While still stretching the toes as in the exercise above, flex the feet as you spread the toes to point upwards. Now move your feet down half way to the floor while continuing to spread the toes. Finally, move the foot to point the toes straight outward, yet not quite touching the floor.  Your toes should be pointing straight ahead, not curled down.  Now reverse the process, go back up to the 1/2 point, then to the flex foot position.  You can repeat this exercise as many times as you like but start with 5 then work up from there. (See the video to clarify this movement.)

 

How do these exercises help?  Begin to think about spreading your feet, just like what we did in the exercises every time you take a step.  It does not matter if it is forward or backward.  Be more conscious of how you use your feet. 

I perform the exercises twice daily and at least 5 times per week.  The upside is that I am so much more stable and my feet do not hurt as much after a night of dancing!  In addition to this I wear gel toes or toe speeders on my feet.  I have included a picture of these!  Start slow with just a few minutes with the gel toes more toward the end of your foot. As your feet begin to open up you can push the gel toes closer to the ball of your foot.  I wear them once or twice daily for at least 30 minutes.  If you are ambitious you can go the toe exercises listed above with the toe gels on.  The toe gels can be ordered on-line.  


Students have reported immediate benefits from these exercises and stretches. I hope the same for you. I have many more exercises but have chosen ones that can be easily explained and do not require a lot of time. 

If you want more information or help, I can be reached at diana@tangodevi.com 

Please contact us with any question you might have, or if you wish to book a private lesson or consultation. Please go to our website www.tangoandi.com  
Come join Tango and I for the Natural tango Festival 2015 April 24-25!.  Diana Devi is working on a group rate so if you are interested please contact her at diana@tangodevi.com

Check it out: Natural Tango Festival website
 
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5816 Pleasant Ave
Minneapolis, Mn 55410

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